While still having 16 bits per channel support, lossless, embedded XMP metadata etc. No patents attached, 30 years of ongoing support, open source reference implementations for all platforms and tons of programming languages etc. For long-term archival I would always use TIF or JPEG. Edit your photos, creating one or more versions, 4. Import the photos into Corel AfterShot Pro, 3. Transfer photos from your camera to your computer, 2. While it uses the TIF file structure internally, it is much less compliant and compatible. Corel AfterShot Pro supports a wide range of workflow options and working styles to ensure that you can get the best quality from your photos in the least amount of time. This is just how it is.ĭNG is not allowed for a long-term archival format for libraries, institutes and commercial clients for a reason. Unfortunately, issues of this kind often boil up in IMatch - when users try to use their DNGs for the first time with a second application. The author of FPV is also the person behind the WIC codecs in Windows. ![]() But by the old FastPictureViewer codecs, which are unmaintained for years. Aftershot pro 3 does not support APPLE DNG raw files. You are free to access your photos in existing. have found that Aftershot Pro 2 cannot see or open Canon CR2 RAW files. I've just had two case where DNG files were not processed by the standard WIC DNG codec in Windows 10. Corel says that, Unlike other workflow tools, AfterShot Pro does not force you to import your images into a catalog just to work with them. Unfortunately, DNG has become 'corrupted' somewhat by the too many variants out in the wild.Īdobe changes DNG whenever they need something for one of their applications.Ĭamera vendors and software vendors take liberties when implementing DNG support. No issues at all with metadata between PhotoLab and IMatch.Īwhile back I had a problem with Affinity Photo stripping some metadata from the JPGs during export but I made some changes in the metadata fields I'm using and now everything is fine. Versions are established and finally I stack the DNGs and JPGs. ![]() I send the TIFs to Affinity Photo for final processing which exports the final images in JPG format back to the same IMatch folder the DNGs are in. PhotoLab processed the images and exports them as 16 bit TIFs. Painter essentials 6 vs corel aftershot 3 - BDM FOOD Corel Painter Essentials 6 Clip Studio PAINT PRO Corel AfterShot 3. ![]() IMatch imports the DNGs where I cull, rename, categorize and add metadata before moving them to their permanent folder.Īnd finally I use an IMatch Favorite to send the DNGs to PhotoLab. Then I convert the CR2 files to DNG format with the Adobe DNG converter which puts the DNGs in my IMatch !Queue folder. I import the CR2 photos from the camera or card using the FastStone image Viewer. Peter I can't answer your question about CR3 files because my cameras shoot the CR2 format but for what it's worth here's my general Canon/IMatch/PhotoLab/Affinity Photo workflow which works great for me.
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